Showing posts with label Fella. Show all posts
Showing posts with label Fella. Show all posts

Thursday, December 3, 2009

Fella - Ya Mesafer Lel Jefa

ith the influx of Khaliji songs from singers during the past year, Fella's solid effort went almost unnoticed. Having lived in Kuwait, Fella's command of the everyday Khaliji accent is even better than Asalah Nasri. The Algerian singer's album has work from all over the Gulf, with composers from Bahrain, Dubai, Kuwait, Qatar, and Saudi Arabia. The album opens with some pop songs; Kel Hal Hob is a mediocre song with some good arrangement, and Mashi is quite forgettable. Shel Jedid is a more melancholy ballad and picks the album up. Ya Mawlana, a folk song, is an upbeat song reminiscent of Abo Bakr Salem's Yemen-influenced work. Ya Mesafer Lel Jefa, composed by Mohamed Abdu, carries the album title but despite some nice lyrics and music, the song feels too long. A musician in her own right, Fella couldn't resist including a song of her own creation; Inta Habibi is an Algerian song arranged by Issam El Sharayti. The album goes into traditional jalsa mode from tracks 7 to 9, with some of Saudi Arabia's most reputable poets and musicians, and traditional instruments. Sameh Allah Habibi opens with an oud solo and the song is a slow, melancholic song with beautiful ney, oud, and traditional strings. Ana Men Sedg Ahebbah brings in the Indian influence and is a heartwarming song about true love. Ya Tibi brings back the stories of the scorned lover, and is another gem in this diverse album. Ya Mesafer Lel Jefa ends with a Fayez El Said song, Yezid El Shoug, and upbeat Emirati song and the album's first single.

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1. Kel Hal Hob
2. Mashi
3. Ya Mawlana
4. Shel Jedid
5. Ya Mesafer Lel Jefa
6. Inta Habibi
7. Sameh Allah Habibi
8. Ana Men Sedg Ahebbah
9. Ya Tibi
10. Yezid El Shoug

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Saturday, February 7, 2009

Fella - Tashakkourat

Like Asalah, Fella Ababsa comes from a musical family and is the daughter of renowned Algerian musician Abdelhamid Ababsa. Fella's aunt Laila, sister Naima, and brother Najib, are popular singers in their home country as well. Baligh Hamdi, who musically adopted Mayada El Hennawi and Samira Said before her, and Sabah supported Fella's entry into the Egyptian music scene. Fella was soon jailed and banned from Egypt, but the reasons for career-crippling ban remain unclear. Fella returned to Algeria, and she became one of the country's most famous modern singers. Years later, Fella finally used her connections in Lebanon to sign a contract with Rotana and work on a new album.

Tashakkourat was composed by some of Lebanon's top composers; Elias Rahbani, Tarek Abou Jaoudeh, Azar Habib, and George Marderosian. Much like her life, Fella's music has a bit of everything, and she even sings in Turkish on Tashakkourat and French on Kan. Shaka Baka and the title song are the sort of upbeat song Fella excels in, while Dakhlak Ya Lail is in Elias Rahbani's signature style. Kan feels like a French ballad, while Abkaitani feels more oriental. In 2001, Tashakkourat introduced her to the Arab world finally, and the playful Fella has slowly become one of the staples of the Arabic music scene.

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1. Mahlan Alay
2. Tashakkourat
3. Shared
4. Helmak
5. Kan
6. Man An
7. Shaka Baka
8. Dakhlak Ya Lail
9. Abkaitani
10. Kan [French Version]

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